Mario Sabino

Mario Sabino was editor-in-chief of Veja magazine and writes a daily column for the Metrópoles news portal. He has published novels and short stories. His first novel, THE DAY I KILLED MY FATHER (O DIA EM QUE MATEI MEU PAI), published in ten countries, explores the theme of symbolic parricide—so dear to psychoanalysis—through a character as tragic as he is unreliable. His second novel, THE VICE OF LOVE (O VÍCIO DO AMOR), received the following comment from Portuguese writer João Pereira Coutinho, who also wrote the preface: “The characters stand at the extreme opposite of idealized versions of romantic love. And that extreme is not marked by hatred, but by indifference.” O VÍCIO DO AMOR was published in the Netherlands.
His short stories are collected in THE ANTI-NARCISSUS (O ANTINARCISO), which received the Clarice Lispector Prize (National Library Foundation), and THE MOUTH OF TRUTH (A BOCA DA VERDADE). The writer Moacyr Scliar said that “Mario Sabino’s short stories dive into the black hole in which each character hides not only their misery but also their greatness.” He also released two collections of essays: LETTERS FROM AN ANTAGONIST (CARTAS DE UM ANTAGONISTA) and HATE ME FOR THE RIGHT REASONS (ME ODEIE PELOS MOTIVOS CERTOS). His most recent book is a historical novel: INNOCENTI GIULIA – AN ANARCHIST LOVE AGAINST FASCISM (INNOCENTI GIULIA – UM AMOR ANARQUISTA CONTRA O FASCISMO).
INNOCENTI GIULIA – AN ANARCHIST LOVE AGAINST FASCISM (INNOCENTI GIULIA – UM AMOR ANARQUISTA CONTRA O FASCISMO)
This a historical novel set in Italy and France during the early decades of the last century, with the young woman who gives the book its title as the protagonist. Fresh out of adolescence, Giulia leaves her family of bourgeois ambitions, who live in Savona, to have an adventurous life alongside the man she fell in love with, the journalist and writer Trento Tagliaferri, an anarchist militant.

In Milan, Giulia begins to associate with leading figures of Italian anarchism, such as Errico Malatesta and Armando Borghi, and becomes friend with women who marked this vibrant current of the European left, such as Leda Rafanelli and Maria Rygier. Alongside Trento, she fights for a revolution that would never come to pass and confronts fascist violence. Persecuted by Mussolini, the couple goes into exile in Paris, where Giulia dedicates herself to fulfilling her professional dream: designing and making women's hats. In the French capital, she meets with major names in fashion, such as Coco Chanel, Pauline de la Bruyère, and Elsa Schiaparelli, and experiences the artistic effervescence of the 1920s. Giulia also spends a year in Brazil, where Trento moves to engage in political agitation.
Both characters existed in real life: Trento was the maternal grandfather of Mario Sabino, and Giulia, who died before turning 30 in Paris, was the great love he left behind in Europe. The author discovered her in photographs kept for a century, unidentified, in an old folder of documents. Among the photos, there was one of the tomb commissioned by Trento for Giulia, a jewel of Italian funerary art that can be admired in the Urban Cemetery of Cuneo. As the protagonist's biography is full of gaps, Sabino filled them with fiction, turning Giulia into a character in pivotal moments of the 20th century: those of the Red Biennium, Mussolini's rise, and the initial resistance to fascism.

The novel is interspersed with the author's account of his search for this woman to whom he owes his own existence. Had Giulia Innocenti survived, Trento would not have started a family in Brazil. To write his book, Mario Sabino conducted research in Italy and France and drew on extensive bibliography. The author thus recovered extraordinary documents that had been practically forgotten since the anarchist movement was eclipsed by the Italian Communist Party: the transcription made by Trento of Errico Malatesta's trial in 1921; the revealing notes exchanged between Leda Rafanelli and Mussolini, shortly before he was expelled from the Socialist Party; and the denunciation by Maria Rygier's, exiled in Paris, that the Duce had been a spy for France.

Publication/Status: On submission.